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Something about the pleasantness of the clothing made everything feel less about being burned alive, I saw myself in them. Maybe because the sculptures and videos are so humorous and self-deprecating, but never insensitive. I think Fitch Trecartin are genuine about this depiction of «low». Not Drop out and Plop Out. This family scene was fused with cool, futuristic elegance and techno desire. Performance by Niels Munk Plum. Maybe he saved all his tenderness for describing his landscapes, simplifying and shading all the little details with the devotion you would give to a lover. The giant boxes that once held TV-screens tell me the sculptor is aware of form as a concept, the shapes themselves are vaguely symbolic. The word Brut appears over and over again, its a sexual word as well as an insult. While the performances didnt always match the level of production. Some lines were painted in fluorescent color so they didnt show all the time, while other lines were made of twine which made them look as if they were floating, fleeting, above the rug. Som om hun trykket av mellom to innskytelser, eller idet hun var på nippet til å se løsningen på et problem. Rivaler minner om noen som har drukket for mye. Fitch Trecartin are proving to have a sincere and complicated relationship to these objects.

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Houston man catches fish in home flooded by Hurricane Harvey, photo: youtube The ending, when everyone came together to heal the situation, didnt quite do it for me though. But Im not sure if I was comfortable in thismaybe nihilistic childlike position. I mange av bildene vender menneskene seg bort, kanskje handler det mer om ensomhet. And its from 1985 so yes, maybe it is from his art school years. Brut champagne, brutal architecture. Den Fine Balletten ble plantet oppriktig og bestemt i en mer gjenkjennelig sammenheng, som den svette kjelleren på Revolver, eller tredje etasje på Elsker rett før stengetid, når alle kaver for å sikre seg oppmerksomhet og en avslutning på kvelden. Photo: Andreas Breivik kristy kross A bodacious golden nugget of the musical evening was the performance by Kristy Kross. And Nasjonalmuseet must be inspired by this new kulturhus, because not only have they adopted Metric to develop their new visual identity, but also lava Oslo to run the new museum café: both companies are doing design and food respectively at Sentralen. IPad performance by Per Westerlund and friends. Well, what did you think of the clothes? And this guy who keeps flipping the light switch makes me all aunt-ie, like: dont! I also thought its kind of wild to see his capacity for academic drawing and attention to detail, randomly dropped within sketchy, expressive, line figures. Photo: Andreas Breivik Buffalo Bill from Silence of the Lambs (1991 videostill niels munk plum And then a little sunshine. He paced around in a circle, coyly talking about norse mythology while wearing a wrinkly red kimono. Well yeaahhh, a little bit sometimes.

stilte ut et bilde, en bok med et lite vannglass oppå, og gjorde en performance jeg dessverre gikk glipp. Med juleshowet klarte De Naive å treffe en nerve. But in Sohlbergs case, the white is visible under his iris and that means the outside world is out to get you. I realised that this dance type had as much to do with life and nature as it did about death. Kokkehatten, tresleiva og det røde tørklet var veldig on point. Julekveld med De Naive. Reminds me of money. We might be onto something here: under the influence The big couch and immersive TV-installation created an atmosphere where I felt disassociated from my body, not like chained up in a rotten basement disassociated, but disoriented. But actually they elevate the whole body of work. So, I have looked at all the drawings and I figured out that this one is my favourite. I wanted to get off the couch, tune IN, drop out. Pop-up høres kult og innovativt ut, men utstillingen besto av grafikk som litt skjødesløst var lagt utover noen pulter i det lille kontoret museet kaller Studiesalen. Just a few years ago, Sparebankstiftelsen rebuilt what is now Sentralen. Or trying to use it as a telephone?




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Matis Kiil Matias Kiil maria pasenau Maria tar ofte snapshot-aktige bilder i grelle farger og med et konfronterende motiv. Eller, narr er kanskje ikke det riktige ordet. Like, they shape us! Wunderkind collective After the car show we were led on a long walk deep into a parking garage where there could have been a carbon monoxide leak, or just a murderer lurking around for all we knew. Tor Erik er delvis oppkalt etter Tordis, og jeg var så heldig å bli kjent med henne. Its either like sending my grandmother to Paris, or like sending my grandmother to Paris in a cage.

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I performancen spilte Tor Erik på hagemotivet og etterhvert spilte han sangen Nocturne av Rolf Løvland og Secret Garden, med sørgmodig felespill, mystikk og en melankolsk sopran. De tre danserne Harald Beharie, Julie Moviken og Charlott Utzig, kravlet under noen tepper før de dramatisk presenterte seg én etter én for publikum ved å innta konfronterende poseringer omslynget av fløyel og glitter. So I should take his text most seriously. It was captivating, but Plums performance didnt benefit from appearing so late in the program. Victoria duffee Victoria Duffee Victoria og jeg lager Vi ser på kunst sammen. På ballettforestillinger arresterer jeg meg selv i å se etter en mannerumpe eller en stor bulge, men på Julekvelden var ikke slik seksualisering forbudt. Lizzie Fitch / Ryan Trecartin Plaza Point, 2009. What I didnt appreciate so much was the architecture which looked kinda handcrafted. The Kardashians, the plot is going nowhere, but I could still watch it forever. Its like my family on the Danskebåt this past summer! The musical was produced with lots of sound, light and smoke, testifying to a rather big production team and budget. Dying Slave (15131516 a representation of la petit mort if there ever was one. Tiden i bildet er liksom stanset opp. Performance by Kristy Kross.